
Flore GARDNER
84000 Avignon France
flore.gardner@free.fr |
| RESEARCH |
| Reflecting
my own nomadism between two countries and two languages, two ways
of seeing and thinking, I explore “In-between-ness” as
a link between thought and artistic practice. My research consists
in the investigation of different forms of in-between-ness (Nonsense,
paradox and infra-thin, Melancholy). I use contradictory/complementary
art forms (sculpture-action, drawing-writing, photography-sewing…)
where the line (be it 2D or 3D) becomes primordial as both a separating
and a connecting element. My current research, entitled “Drawing=Thinking”,
considers drawing as an in-between form, between idea and execution,
it is at once a fundamental and peripheral practice and a language
of its own. |
| EDUCATION |
| 2003-07 |
Université Paris 1 Panthéon-Sorbonne, Doctorat (PhD)
Fine Art : ”Simultaneously Artistic Performance and Everyday
Acts… Nonsense” with First Class Honours (mention Très
Honorable avec Félicitations)
Supervisor: Nathalie REYMOND
Jury: George BLOESS (Université Paris VIII Vincennes Saint
Denis), Gisèle GRAMMARE (Université Paris 1 Panthéon-Sorbonne),
Lydie PEARL (Université Michel de Montaigne Bordeaux III) |
| 2002-03 |
Villa Arson, Ecole Nationale Supérieure d’Art de Nice
: entry in third year
Artistic project: “Alice’s Tea-Party”
Course « Fictions around Annlee », with François
Curlet : project “Literal Translation” |
| 2000-01 |
Université
Paris 1 Panthéon-Sorbonne, Paris
DEA (Master) Fine Art: “Infra-action in the Everyday –
Nonsense” (1st) |
| 1996-00 |
Université Paul Valéry, Montpellier and Université
de Picardie Jules Verne, Amiens
DEUG, Licence et Maîtrise (MA) Fine Art: “Clothing as
Sculpture”(1st) |
| 1993-95 |
Edinburgh University, Modern Languages, French and Russian (B) |
| 1992-93 |
Dingwall Academy, Scotland, 7 Higher Grades (all with A pass) |
| FUTURE
EXHIBITIONS |
| Oct
08 |
Exhibiton
Space HMS, Harrington Mill Studios, Long Eaton, Nottingham
"Embroideries":
Series of sewn photographs,
Performance - Self-Embroidery |
| Mar
09 |
Group exhibition « Contemporary Flanerie : Reconfiguring Cities
» curated by Vagner Whitehead, Oakland University Art Gallery,
Rochester (MI) Etats-Unis |
| SOLO
EXHIBITIONS |
| Nov
07 |
”Simultaneously
Artistic Performance and Everyday Acts… Nonsense” for
my viva voce, Centre Saint
Charles, Université Paris 1 |
| GROUP
EXHIBITIONS |
|
2007 |
"Eloge
des différences", Galerie CROUS, Paris. Performance
with the Back-to-Front Dress.
|
| 2006 |
"Déplacements",
Galerie du CROUS, Paris. Performance The Big Knit. |
|
2005 |
"Points
de vue, points de contact", Galerie du CROUS, Paris. Performance
with the Little Black Dress for Small Talk. |
| |
"Visages",
Maison de la Tunisie, Cité Internationale Universitaire, Paris |
| |
Invitation
to create and cook a menu on the theme of the foot for the artistic
project "Podoscopie ". (Mathieu Verdieu), at the restaurant
La Vie Devant Soi in Marseilles. |
| 2004 |
"Passage(s)",
Sichuan Fine Art Institute Chongqing, Chine and Salle Michel Journiac,
Université Paris 1 Panthéon-Sorbonne |
| 1999 |
"Amiens-Weimar,
Aller-Retour ", Bauhaus, Weimar, Allemagne and Faculté
d’art, Amiens |
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| CATALOGUES |
| 2007 |
"La
différence, même "in exhibition catalogue Eloge
des différences, CERAP/CROUS/Université
Paris 1, 2007, p.71-78 |
2006 |
"Déplacer
les limites du quotidien", in exhibition catalogue Déplacements,
CERAP/CROUS/Université Paris 1, 2006, p.97-104 |
| 2005 |
"Points
de vue, points de contact", CERAP/CROUS/Université Paris
1, 2005,
p.45-50 |
|
2004 |
"Passage(s)
: change ; time ; in-between", in exhibition catalogue Passage(s),
Université Paris 1/CERAP/Sichuan Fine Art Institute, |
| 1999 |
Exhibition
catalogue Amiens-Weimar, Aller-Retour, Ed. Bauhaus-Universität
Weimar |
| PROJECTS |
| 2003–05 |
Artistic
project: restaurant/artist-run-space "Les 19... ", Marseilles.
At once a business and an artistic project which I ran for two years
in Marseille, serving thematic menus and organising small exhibitions
and other events (performances, musical gigs). |
| PROFESSIONAL
EXPERIENCE |
| 2004 |
International
Bilingual School, Aix: English language and literature teacher at
secondary school level |
| 2003 |
Institution
Sainte Trinité, Marseille: English language and literature
teacher at secondary school
level |
| 2001-03
|
Amiens,
freelance: French-English and English-French translator, for the television
and cinema |
| 1999-03 |
Fond
Régional d’Art Contemporain de Picardie (art institute
specialised in drawing in contemporary art), Amiens, FranceResearch
concerning the artists in the collection (biographies, bibliographies,
analysis); organisation and installation of exhibitions and production
of accompanying documentation (educational tools, articles for catalogues,
exhibition handouts; public and school/university group visits. |
| 1999-00
|
School
of Art, Université Jules Verne, Amiens : tutor to a group of
undergraduate Fine Art students - theory (analysis of art work, art
history, aesthetics) and practical workshop (photography – shooting,
developing and printing in black and white). |
| TECHNIQUES
& SKILLS |
Sculpture,
drawing, photography, performance, eat-art, knitting, sewing.
IT skills: word processing, database, CAD, Internet.
Languages: Bilingual French-English |
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