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| Born
|
Derbyshire, UK
1971 |
| Tel |
Mob 00 44 (0)7720 892496 |
| EDUCATION |
| 2008 |
PhD Grids: Painting
in a Dialogue with the Digital
Loughborough University |
| 2001 |
MA
Fine Art: Painting
Wimbledon School of Art, London |
| 1999 |
BA (Hons) Degree: First
Class
University of Derby |
| CURRENT TEACHING |
Senior
Lecturer in Fine Art Practice & Theory: University of Worcester
|
| PRIOR TEACHING |
Associate
Lecturer, Fine Art: Nottingham
Trent
University |
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Associate
Lecturer, Fine art: Nottingham Trent University (0.2) |
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0.6 Lecturer:
BA Hons Fine Art
|
| Wirral Metropolitan College, Birkenhead(2001-2003) |
| VISITING ARTIST/LECTURER |
Staffordshire University (2006)
University of Derby (2005)
Bournemouth (2005) |
| EXHIBITIONS |
|
| ONE PERSON SHOWS |
|
2008
|
Painting in a Dialogue with the Digital, Harrington Mill Studios
(Artists Talk) |
| |
Grids:
Painting in a Dialogue with the Digital, Doctoral Exhibition, The
Gallery, LUSAD (Loughborough University, School of Art & Design |
| 2005 |
New Work: Joseph
Wright
Building,
Green Lane,
Derby
|
| 2000 |
New Work: Banks’ Mill Studios, Derby |
| 1998 |
Systems: Lace Market, Nottingham |
| GROUP
SHOWS |
|
| 2008 |
Digitalis: Sekler National Museum, Sfantu-Gheorghe,
Romania |
| 2006 |
True Colour: Salisbury Playhouse
Gallery |
| 2005 |
Derby
Museum & Art Gallery |
| 2004 |
Derby
Museum & Art Gallery |
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Assembly
Rooms: Derby |
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St.
Benedicts, Derby |
| 2003 |
Djanogly Gallery, Nottingham |
| 2002 |
Banks’
Mill summer show Exhibition |
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Approaches: Williamson
Art Gallery,
Birkenhead |
| 2001 |
Commencer: University
of Derby,
School
of Art
and Design |
| |
Mission:
MA Show, Wimbledon School
of Art,
London |
| |
Emission: The Loading
Bay,
Truman Brewery, Brick Lane,
London
|
| |
BHF Bank, London |
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Wimbledon School
of Art,
London |
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Transmission: Wimbledon Library Gallery, London |
| 2000 |
BHF Bank,London |
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Derby
Museum
and Art
Gallery |
| 1999 |
Banks’ Mill Studios, Derby |
| 99 Degrees: BA Show, University
of Derby |
| Corridor Gallery: University
of Derby |
| Porthleven is a Quiet…: ACME Studios, Cornwall |
| 1998 |
Sharp Show: The Strand,
Derby |
| 1997 |
University
of Derby
Purchase Prize Collection:
Derby
Museum
and Art
Gallery |
| 1996 |
Trading Places: Derby
Museum
and Art
Gallery |
| AWARDS/PRIZES
AND NOMINATIONS |
|
| 2008 |
'Attenborough
Prize of £2000', 'One Leicester: Open 20 Exhibition' |
|
New Art Exchange Prize:
£500, Nottingham Open |
| 2006 |
John Moores 24 - shortlisted |
| |
Nomination for Giverny Summer
Residency: Musée d’Art Américain, France |
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Nomination for Jerwood Artists
Platform |
| 2004 |
John Moores 23 - shortlisted |
| 2003 |
3 year Research Studentship: Loughborough University School of Art & Design |
| 2002 |
Nomination for the Jerwood Artists Platform |
| 2000 |
Post-Graduate research Award: AHRC |
| 1999 |
£1000 first prize: Derby Open painting competition |
| 1998 |
Scholarship: Centre for Advanced Studio Practice in
Art and Design, University
of Derby |
| 1996 |
Purchase Prize: School
of Business,
University
of Derby |
| Other research interests/ activities |
|
| 2006 |
AAH
(Association of Art Historians) 7th Summer Symposium
–
Art and the Senses: Paper |
| 2005 |
NAFAE
(National Association of Fine Art Education) hosted byNottingham Trent University: Paper |
| 2004 |
ELIA
Conference(Lucerne)
Challenging the Frame
Unframed
Symposium on Practices and Politics in Women’s
Contemporary Abstract Painting
Camberwell College of Arts |
| 2003 |
ELIA
Conference (Vienna)
The Bologna Process in the Arts Conference addressing planning & implementation
ofBologna Process: Parity in HEA in the EU
CLTAD Workshop (Centre for Learning and Teaching in Art
& Design)
The London Institute in Conjunction with the Royal College of Art & Wimbledon School of Art
Workshop on effective use of Journals in art education |
| 2002 |
Derby Museum and Art Gallery Workshop Assistant
‘Nothing but Mirrors and Tides’
Paintings by David Manley |
| 2001 |
Tate
Modern Conference
‘Global and Local’
Tate Britain Conference
’Painting and the Art School Curriculum’
Tate Britain Conference
’Drawing: From the doodle to the Digit’ |
| 2000 |
Tate
Britain Conference
‘Intelligence: New British Art’ |
| 1999 |
Joseph
Beuys Lecture
Ruskin School of Drawing, Oxford
Dora
Ashton on Abstract Painting
Caspad Scholarship (Centre for Advanced Studio
Practice in Art and Design)
ACME Studios, Porthleven, Cornwall |
| 1998 |
Symposium
on Contemporary British Abstract Painting
Mead Gallery,
Warwick Arts Centre, accompanying the Slowburn exhibition |